Philippines Entertainment News API

{
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            "id": "c36794363dc575f5d49f861b03cf65f1",
            "title": "On Taylor Swift and the Hard Art of Reinvention",
            "description": "At the end of the music video for her song titled “Look What You Made Me Do” from her Reputation album, fifteen different Taylors appear next to each other in an airplane hangar, in front of a blac…",
            "content": "At the end of the music video for her song titled “Look What You Made Me Do” from her Reputation album, fifteen different Taylors appear next to each other in an airplane hangar, in front of a black plane with “Reputation” spray-painted on it. There ... [17925 chars]",
            "url": "https://lithub.com/on-taylor-swift-and-the-hard-art-of-reinvention/",
            "image": "https://s26162.pcdn.co/wp-content/uploads/2026/01/taylor-swift.jpg",
            "publishedAt": "2026-01-21T10:04:01Z",
            "lang": "en",
            "source": {
                "id": "1eec02d5b3bcf7dd52f5cfde9cbb80fd",
                "name": "Literary Hub",
                "url": "https://lithub.com"
            }
        },
        {
            "id": "eaf508887e583a310a4361226dd7afb7",
            "title": "‘Soviet attitudes framed local culture as backward’: the record label standing up to Russian imperialism",
            "description": "Ored Recordings documents chants, laments and displacement songs of the Caucasus threatened by erasure. After the invasion of Ukraine, its ‘punk ethnography’ has never been more urgent",
            "content": "In May 2022, a few weeks after the start of Russia’s full-scale invasion of Ukraine, musician Bulat Khalilov was attending a demonstration in Nalchik, a southern Russian city in the foothills of the Caucasus Mountains. As he joined a group congregati... [5993 chars]",
            "url": "https://www.theguardian.com/music/2026/jan/21/soviet-attitudes-framed-local-culture-as-backward-the-record-label-standing-up-to-russian-imperialism",
            "image": "https://i.guim.co.uk/img/media/10bb2f5135e7f9cf74cc4c65d96d3afc15620e5f/0_317_2749_2199/master/2749.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&precrop=40:21,offset-x50,offset-y0&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdGctZGVmYXVsdC5wbmc&enable=upscale&s=8123441945f13141ab8d29f638e08e2a",
            "publishedAt": "2026-01-21T09:03:00Z",
            "lang": "en",
            "source": {
                "id": "558a003a7a0164e924408edec7e99f99",
                "name": "The Guardian",
                "url": "https://www.theguardian.com"
            }
        },
        {
            "id": "1ae6b056cb55a29e8bac2c88fa20cd52",
            "title": "Goodbye, Queer Eye: pure comfort TV that’s too fabulous to exist in this world any more",
            "description": "The fab five convene in Washington DC for the show’s 10th and final season – and one last, escapist feelgood hurrah",
            "content": "In 2018, hopes were not high for Queer Eye. Having dredged the sea floor of early 00s nostalgia, Netflix announced that it had reimagined Queer Eye for the Straight Guy, a makeover series that churned out 100 episodes between 2003 and 2007. In it, sw... [4388 chars]",
            "url": "https://www.theguardian.com/tv-and-radio/2026/jan/21/goodbye-queer-eye-pure-comfort-tv-fabulous",
            "image": "https://i.guim.co.uk/img/media/638746afc2b57c1f8f3380a9387716749c4c7b0f/274_0_3000_2400/master/3000.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&precrop=40:21,offset-x50,offset-y0&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdGctZGVmYXVsdC5wbmc&enable=upscale&s=0eabd55135e5a56b2547d9242ce9f09c",
            "publishedAt": "2026-01-21T09:02:00Z",
            "lang": "en",
            "source": {
                "id": "558a003a7a0164e924408edec7e99f99",
                "name": "The Guardian",
                "url": "https://www.theguardian.com"
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}